Home Car This Week ‘Within the NVIDIA Studio’ Discover the Hidden Temple of Itzamná

This Week ‘Within the NVIDIA Studio’ Discover the Hidden Temple of Itzamná

This Week ‘Within the NVIDIA Studio’ Discover the Hidden Temple of Itzamná


Editor’s notice: This submit is a part of our weekly Within the NVIDIA Studio collection, which celebrates featured artists, provides artistic suggestions and methods, and demonstrates how NVIDIA Studio know-how improves artistic workflows.

3D artist Milan Dey finds inspiration in video games, motion pictures, comics and popular culture. He drew from the entire above when creating a shocking 3D scene of Mayan ruins, The Hidden Temple of Itzamná, this week Within the NVIDIA Studio.

“One night, I used to be enjoying an journey sport and wished to duplicate the scene,” Milan mentioned. “However I wished my model to have a heavy Mayan affect.”

Milan sought huge, detailed structure and carved rocks that appear to be they’ve stood with delight for hundreds of years, much like what may be seen within the Indiana Jones motion pictures. The artist’s objectives for his scene have been to painting mom nature giving humanity a reminder that she is the best, to kick off with a grand introduction shot with gentle falling straight on the digicam lens to create destructive areas within the body, and to evoke that wild, moist odor of greens.

Under, Milan outlines his artistic workflow, which mixes tenacity with technical capacity.

And for extra inspiration, take a look at the NVIDIA Studio #GameArtChallenge reel, which incorporates highlights from our video-game-themed #GameArtChallenge entries.

It Belongs in a Museum

First issues first, Milan gathers reference materials. For this scene, the artist spent a day capturing tons of of screenshots and walkthrough movies of the sport. He spent the subsequent day on Artstation and Adobe Behance gathering visuals and checking out tasks of ruins.

Subsequent, Milan browsed the Epic Video games market, which provides an intensive assortment of property for Unreal Engine creators.

“It crossed my thoughts that Aztec and Inca cultures are a terrific selection for a ruins atmosphere,” mentioned Milan. “Tropical settings have a wide range of vegetation, whereas caves are deep sufficient to create their very own biology and ecosystem.” With the property in place, Milan organized them by stage to create a 3D palette.

He then started with the preliminary blockout to prototype, check and regulate the foundational scene parts in Unreal Engine. The artist examined scene fundamentals, changing blocks with polished property and making use of lighting. He didn’t add something fancy but — only a single supply of sunshine to imitate regular daylight.

Blocking out stone partitions.

Milan then looked for the very best cave rocks and rock partitions, with Quixel Megascans delivering the products. Milan revisited the blocking course of with the temple courtyard, putting cameras in a number of positions after preliminary asset placements. Subsequent got here the heavy job of including vegetation and greens to the stone partitions.

Getting the stone particulars good.

“I put massive patches of moss decals throughout the partitions, which provides a sensible feel and look,” Milan mentioned. “Putting large- and medium-sized bushes crammed in a considerable a part of the atmosphere with out utilizing many sources.”

Vegetation is utilized in painstaking element.

As they are saying, the satan is within the particulars, Milan mentioned.

“It’s very simple to get carried away with foliage portray and get misplaced within the depths of the cave,” the artist added. It took him one other three days to fill within the smaller vegetation: shrubs, vines, vegetation, grass and much more moss.


The scene was beginning to turn out to be staggeringly massive, Milan mentioned, however his ASUS ROG Strix Scar 15 NVIDIA Studio laptop computer was as much as the duty. His GeForce RTX 3080 GPU enabled RTX-accelerated rendering for high-fidelity, interactive visualization of his massive 3D atmosphere.

Merely beautiful.

NVIDIA DLSS know-how elevated interactivity of the viewport by utilizing AI to upscale frames rendered at decrease decision whereas retaining photorealistic element.

“It’s easy: NVIDIA nailed ray tracing.” Milan mentioned. “And Unreal Engine works finest with NVIDIA and GeForce RTX graphics playing cards.”


A famed professor of archaeology explores the Mayan ruins.

Milan lit his scene with the HDRI digital picture format to boost the visuals and save file area, including choose directional lighting with exponential top fog. This created extra density in low locations of the map and fewer density in excessive locations, including additional realism and depth.

Top fog provides realism to the 3D scene.

“It’s wild what you are able to do with a GeForce RTX GPU — utilizing ray tracing or Lumen, the worldwide illumination calculation is immediate, when it used to take hours. What a time to be alive!” — Milan Dey

The artist doesn’t take these leaps in know-how as a right, he mentioned. “I’m from an period the place we have been required to do guide bouncing,” Dey mentioned. “It’s out of date now and Lumen is unimaginable.”

Lumen is Unreal Engine 5’s totally dynamic international illumination and reflections system that brings practical lighting to scenes.

Milan reviewed every digicam angle and made customized lighting changes, generally eradicating or changing vegetation to make them pop with the lighting. He additionally added free property from Sketchfab and particular water results to present the fountain an “eternity” vibe, he mentioned.


With the scene full, Milan shortly exported last renders because of his RTX GPU. “Artwork is the expression of human beings,” he careworn. “It calls for understanding and a spotlight.

To his previous self or somebody initially of their artistic journey, Milan would advise, “Preserve an open thoughts and be teachable.”

Atmosphere artist Milan Dey.

Take a look at Milan’s portfolio on Instagram.

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